![]() ![]() The opening scene shows the crocodile attacking a buffalo, crushing its head and dragging it into the water. Frank Tetaz' picturesque score further emphasizes the serenity of the area. A notable shot shows Kate's boat moving up a river valley, the film lingering on the gorgeous cliff sides and green forest all around. McLean's camera often focuses on the incredible natural beauty of the Northern Territory. If “Wolf Creek” was a movie about Australians' duel reputation as laid-back blokes and outback dwelling crazies, “Rogue” explores another contrasting element of the country. As the night goes on, the tide rises, and the territorial crocodile continues to close in for the kill. They are then attack by a giant saltwater crocodile, who immediately capsizes the boat, stranding the people on a small island. ![]() Kate steers the boat into a dead end, discovering the remains of a previous boat. Just as the crew is ready to head home, they spot a flare. Such as Kate, the pretty and confident boat captain, a married couple, a British family of three, an Irish woman, a would-be photography expert, a middle-age man mourning his dead daughter, and event two of the redneck locals. His cell phone dead, he decides to pass the time by joining a crocodile watching river cruise. It would focus more on tension than gore and prove McLean was more than a one trick pony.Īmerican journalist Pete arrives in the Northern Territory, a rural, jungle-like area of Australia, filled with huge rivers and streams. “Rogue” was a no-frills killer animal thriller, focusing on the saltwater crocodiles of McLean's native Australia. McLean, meanwhile, immediately shifted gears with his second feature. Even Eli Roth, the most puerile of the bunch, would try other stuff in time. Neal Marshall would also move onto action mash-ups. ![]() Interestingly, few of the Splat Pack directors would stick with quote-unquote “torture porn.” James Wan would immediately move on to glossy ghost stories, whose success led him to big budget action movies. This phrase referred to a list of up-and-coming directors making especially brutal and violent horror movies in the early to mid-two thousands. “I think because it was a Halloween sequel people had a preconceived idea of what it was supposed to be.Upon “Wolf Creek's” release, Greg McLean was immediately added to the Splat Pack. Instead, because it was called Halloween 2, people were saying ‘How can you do this when it is supposed to be that?’ Although as time has gone by some fans have told me that they like it, and that it is one of their favourites from the franchise. If it was called something else then people might have watched it and accepted it for what it was. Perhaps motivated by the drubbing he received for 2009′s Halloween 2, Zombie remains defensive of the often criticised sequel. “That is the last thing that I heard – and I’m definitely not directing it if they ever do go ahead with a third movie.” ![]() “I don’t think they are doing anything with Halloween at the moment,” said Zombie. Speaking exclusively to SciFiNow for a future issue, House Of 1,000 Corpses and The Devils Rejectsdirector Rob Zombie offered an update on the long mooted third film in his Halloween reboot series. In a forthcoming interview with SciFiNow, Rob Zombie touched upon the Halloween movies he has directed, including defending his making of Halloween 2 and also made it very clear that he would be no part of any future Halloween films (something he made clear to fans in a ‘ Question of the Week‘ last year here at ). Rob Zombie gives a resounding no to Halloween 3 ![]()
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